Glass Collectionwatercolor 8 x 14"
$450
This painting reminds me of a funny story. When I was buying a bunch of small glass vases and pitchers (some of which are in this still life) at an antique store, a woman commented on all the interesting ones I'd chosen and asked what I was going to do with them. When I told her I was going to paint them, she instantly perked up and said SHE painted glass too! We started chatting, which became a very confusing conversation, until we realized that SHE actually painted designs on the glass, while I ....well, she dismissed me as a hack I guess. She was very disappointed that I'd never actually painted glass her way, and insisted I give it a try.
Finishing a painting is always a surprise to me. Not the fact of finishing, but there are elements in the finished image (usually the composition) that I didn't consider when I set up the still life, nor as I was painting. Now that I'm done, I find little quirks that make me ask "why did I do that?". For example, in this painting, I purposely set up the pear shaped objects with a straight edged object on each side, but why did I have the spouts of the 2 pitchers pointing out of the painting? Makes me go "Hmmmmmm".
Is there some deep psychological significance to it? Am I crazy? Unfulfilled? Empty? Or just bad at composition? Fortunately, the outwart facing spouts don't bother me at all, so I'll let the future art historians figure it out.